GERING & LOPEZ

How pictures are put together, and how to stand in front of them.

Extreme macro of unprimed linen canvas weave, individual threads visible, raking light picking out the texture

Extreme macro of unprimed linen canvas weave, individual threads visible, raking light picking out the texture

Photo: Magda Ehlers / Pexels

Layer 2 of seven

CANVAS

The woven surface that takes the ground — thread count, tension, and the weave you can feel through the paint.

Where CANVAS sits

The stack, back to front, with band depth set by how much each layer carries here. CANVAS is layer 2 of seven.

BEHIND IT ▼ STRETCHER
IN FRONT OF IT ▲ GROUND

What to look for in this layer

Linen
spun from flax; long, stiff, irregular bast fibre; higher tensile strength; lower moisture absorptionFrom “The Linen Argument” →
Staple placement
into the back (wide flat face) of the bar, not the outer edge; parallel to the bar's lengthFrom “From Roll to Frame: How Canvas Gets Stretched” →
Tooth
the physical texture of a woven canvas surface; the peaks and valleys between threads that grip and interrupt paintFrom “The Tooth Beneath the Paint” →

Everything in CANVAS

3 pieces.