GERING & LOPEZ

How pictures are put together, and how to stand in front of them.

Corner of a wooden stretcher bar with expansion keys inserted, workbench surface below, overhead lamp

Corner of a wooden stretcher bar with expansion keys inserted, workbench surface below, overhead lamp

Photo: Moussa Idrissi / Pexels

Layer 1 of seven

STRETCHER

The wooden skeleton underneath everything — why it moves, how it holds, and what happens when it fails.

Where STRETCHER sits

The stack, back to front, with band depth set by how much each layer carries here. STRETCHER is layer 1 of seven.

NOTHING BEHIND IT — THIS IS THE BACK OF THE PICTURE
IN FRONT OF IT ▲ CANVAS

What to look for in this layer

Wedge
a small hardwood insert pressed into a slot at each stretcher corner; drives the joint open to expand the frameFrom “Eight Taps with a Mallet” →
Pine
stiff, widely available, slightly less hygroscopic than the others; heavierFrom “Pine, Poplar, or Obeche — Does the Wood Actually Matter?” →
Canvas slack at centre, tight at edges
suggests mid-span bow in the long barsFrom “What Warped It” →

Everything in STRETCHER

3 pieces.